Compositions (list can be filtered by the first letter of a composer name)
| Composition | Composer | Creation year | Recording | Score available in HIS |
Score available in ČRo |
|---|---|---|---|---|---|
|
Concerto for saxophone and orchestra
version with symphonic winds |
Feld, Jindřich | 1980 | |||
|
Canto II
prepared violas and female voice (2nd part of the diptych Canto No. 1, 2) |
Ištvan, Miloslav | 1980 | |||
|
Good Day
for piano for 4 hands |
Kopelent, Marek | 1980 | |||
|
Podivný tanec Podpantoflíček
for piano for 4 hands |
Kopelent, Marek | 1980 | |||
|
Sonata
for violin and chamber orchestra |
Matoušek, Lukáš | 1980 | |||
|
Old and New Renaissance Dances
for Bass Clarinet, Piano, String Orchestra and Percussion |
Štědroň, Miloš | 1980 | |||
|
Elegantiae tripudiorum, symphonie minore
for chamber orchestra |
Novák, Jan | 1980 |
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|
Behind the Gate
nonet inspired by Goethe's Faust |
Mojžíš, Vojtěch | 1980 | |||
|
Cinque capricci (Capricinia)
pro klavír |
Novák, Jan | 1980 | |||
|
Invisible Pictures from Childhood
Thirteen Returns to Tonality in an Uneasy Style |
Linka, Arne | 1980 | |||
|
I Stop Somewhere Waiting for You
for six male voices |
Adamík, Josef | 1980 | |||
|
Prolog a tanec
for 2 bass clarinets and piano |
Štědroň, Miloš | 1980 | |||
|
Dlouhá cesta
scénická hudba |
Štědroň, Miloš | 1980 | |||
|
Song
for piano |
Kopelent, Marek | 1980 | |||
|
Vrh kostek
for four reciters and tape |
Kopelent, Marek | 1980 | |||
|
Hajducké
na melodie ze sbírky Anny Szirmay-Keczer pro basklarinet a klavír |
Štědroň, Miloš | 1980 | |||
|
Vesna národů/Wiosna ludów
scénická hudba |
Štědroň, Miloš | 1980 | |||
|
Markéta Lazarová
scénická hudba |
Štědroň, Miloš | 1980 | |||
|
For Guitar, Le Tombeau de Tárrega
Solo Guitar |
Martinček, Dušan | 1980 |
mard1
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|
Canti del' Orfeo
for violin |
Faltus, Leoš | 1980 |
